Tom Ford Black Orchid
A study in black glass and refracted light — a fragrance film built entirely in CGI, where the bottle becomes architecture.
- Research & Design
- Art Direction
- 3D Animation
S.1 — Archive
Cinematic motion and CGI built for brands that are judged on how they look. Every project below was modelled, lit, simulated and graded in-house.
A study in black glass and refracted light — a fragrance film built entirely in CGI, where the bottle becomes architecture.
Metal grain, polish falloff and hard specular edges — jewellery rendered close enough to read the tooling.
Fluid dynamics and light physics staged as a product film — liquid treated as a character, not an effect.
A bespoke digital set built to place product inside architecture rather than in front of it.
An internal materials study — stone dispersion, claw settings and the physics of very small things.
Botanical growth systems driven procedurally — organic motion with a fashion house's discipline.
Technical fabric under load — membrane, seam and water behaviour modelled as performance, not texture.
The studio's own identity system — a mark that only fully resolves in motion.
Spatial visualisation treated cinematically — rooms lit for atmosphere rather than for the spec sheet.
A modular system explained through movement — configuration as the story.
Large-scale digital architecture — structures that exist only to be filmed.
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